Karate has many different stances, each used to create power, flexibility and movement. Some stances focus more on mobility than stability, and vice versa.
Feet together. This is usually a transitional stance, although it is used as the ready stance in some kata. In this stance the knees are bent very slightly. There are no stances where weight rests on a leg with a completely straight knee.
Heels together, toes open at about 45 degrees. This stance is used to perform the formal respectful bow, rei (礼). In this stance the knees are bent very slightly. There are no stances where weight rests on a leg with a completely straight knee.
From musubi-dachi, open heels until both outer edges of feet are parallel. Some styles don't distinguish this stance from heiko-dachi. In this stance the knees are bent very slightly. There are no stances where weight rests on a leg with a completely straight knee.
The feet are shoulder width apart, toes open at 45 degrees. While in hachiji dachi, the karateka is usually in a yoi (ready) position which is a preparatory position that gives a clear starting point for execution of other techniques. The main version of yoi means the arms are slightly moved forward, with fists closed. The fists point slightly to the centre line and are roughly half a shoulder width apart with elbows bent very slightly.
The feet are shoulder width apart, toes facing inwards at 30-45 degrees, knees tense. This stance is used in some formal exercises, for example the tsundome. Also called Chun'be or Naifanchin-dachi. In this stance the knees are bent very slightly. There are no stances where weight rests on a leg with a completely straight knee.
The feet are shoulder width apart, and their outer edges are parallel. This is a common transitional stance in many kata. In this stance the knees are bent very slightly. There are no stances where weight rests on a leg with a completely straight knee.
The feet are shoulder width apart, as in Heiko-dachi, but one foot is forward to where the heel is parallel with the big toe of the back foot. In this stance the knees are bent very slightly. There are no stances where weight rests on a leg with a completely straight knee.
Feet are at the shoulder width. The foot in the front is fully frontal (toes facing forward), the rear foot is turned 90 degrees out, and is positioned in such a way that if the front foot is brought back, its heel will touch the heel of the rear foot. Thus the foot print is shaped like the character レ (or letter L). The weight is kept 70% on the rear foot.
Similar to renoji-dachi, but if the front foot is brought back, its heel will touch the middle of the rear foot, thus the foot print is shaped like the character 丁 (or letter T).
Like the forward-facing Seisan stance, the feet are aligned the same but pointed off to the side at a 25-30 degree angle.
This is the stance on one leg, where the other leg is raised and bent so that its foot touches the knee of the base leg. The exact form of contact between the foot and the knee depends on the style or even on the particular version of the kata where this stance is used.
The feet are wider than the shoulder width, with their outer edges parallel. Legs and buttocks should be tensed upwards, while keeping the weight low and the knees bent inwards. This stance has strong tension in the legs and is the basis of the kata Naihanchi.
The stance is fixed and tensed in the same way as Naihanchin-dachi. It can be described as Uchi-hachiji-dachi with one foot moved forward until the toes of the rear foot are on the same horizontal line as the heel of the front foot. This powerful stance is used in the multitude of katas attributed to Kanryo Higashionna, from Sanchin to Suparimpei. Many advanced breathing techniques are exercised in this stance.
A version of sanchin used in some karate styles, particularly Shotokan. This stance is longer than sanchin-dachi, but retains the same tension and inward rotation of the knees. It is the basis of the kata Hangetsu.
The stance is shin length and around two fist widths wide, with both legs slightly bent, the front foot facing straight forward and the back foot pointed outward at about 20-30 degrees. The body should be squarely forward unless a half-turn han-mi is applied. The basic ready stance for kumite is Moto-dachi.
From Moto-dachi, bring the back leg forward so that the back knee is tucked in to the back of the front knee, with only the toes and ball of the back foot on the floor. Depending on the style, the back foot may be directly behind the front foot, or out to the side of the front foot, so that the legs are crossed.
Shortened and raised zenkutsu-dachi, this stance is slightly lower than moto-dachi. The rear leg is straight at the knee just like in the regular (low) zenkutsu-dachi. This stance is sometimes seen in kata, for example in Matsukaze.
Shortened and raised kokutsu-dachi.
Feet are parallel and wide, weight is central and low, with the back straight and the knees and feet pointing slightly inwards. This stance is not used in all styles of karate because of strong tension that it requires, instead it is often replaced by Shiko-dachi.
Same as Kiba-dachi but the toes face out at about 45 degrees. The height of this stance is, ideally, exactly the same, so that the transitions from zenkutsu to kokutsu (defense) or kokutsu to zenkutsu (attack) happen without loss of energy which would be necessary to move the body's center of mass up and down.
This is a long frontal stance where the weight is mostly on the front leg. It has exactly the same height as shiko-dachi, but the rear leg is completely straight at the knee and extended back. The front foot is placed frontal (toes facing forward), the rear foot is turned out 30 degrees, just like Moto-dachi, but never 90 degrees as seems natural to new practitioners because this precludes any forward motion. The heel of the rear foot rests on the ground. Zenkutsu-dachi is one of the most common stances in kata.
All weight rests on the back leg, which is bent at the knee. The rear foot is turned at about 20-30 degrees out and the knee sits at the same angle. Only the toes of the front foot rest on the ground, positioned in front of the back heel at about the same distance as the front foot of moto-dachi. There is no weight on the front foot, and there is no bent in the ankle joint - front knee, front shin, and the rise of the foot (but not the toes) form a single line, vertical in Shitō-ryū, tilted in Shotokan.
Kneeling on the rear leg. Distance from back foot to front foot is one shank length plus fist length. Stance is one fist width wide. The height of this stance is, ideally, exactly the same, so that the transitions from zenkutsu to kokutsu (defense) or kokutsu to zenkutsu (attack) happen without loss of energy which would be necessary to move the body's center of mass up and down.
The body is positioned similar to shiko-dachi turned either 45 or 90 degrees to the side, except for the head which still looks forward. The front foot moves one foot-length forward, increasing stability and making it possible to perform a strong attack with the rear foot.
This is a mirror image of zenkutsu-dachi, where the rear leg is bent strongly at the knee and the front leg is either straight or slightly bent, depending on the style. The rear foot is turned 90 degrees to the side. The body is turned 90 degrees or more away, except for the head which looks to the front. Kokutsu-dachi is a great defensive stance because of the amount of energy stored in the rear leg, ready for a counter-attack.
Often conflated with kōkutsu-dachi, this is a variant of kōkutsu where the head faces the direction perpendicular to the line on which the feet stand.
RESOURCES
This article uses material from the Wikipedia articles "Karate", "Kata", "Comparison of Karate styles", "Karate Stances", "Embusen", "Karate Kata", "Kumite", "Kihon", "Japanese Martial Arts", "Okinawan Martial Arts", "Nijū kun ( 二十訓 )", which is released under the Creative Commons Attribution-Share-Alike License 3.0.
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